Rebecca Sugar (Creator: Steven Universe)

Rebecca Sugar helped define a generation with her groundbreaking series, Steven Universe. For this All Access we welcome the creative mind behind the world of Steven Universe as she shares her story of growing up in suburban Maryland, her love of animation and music, and how she landed at Cartoon Network Studios where she ultimately pitched the idea for Steven Universe.

For this All Access we sit with Rebecca as she talks about what her initial dreams and aspirations were when she was young, and show she discovered animation. She shares stories of going to school, and how she was hired at Cartoon Network Studios where she was part of the crew for Adventure Time. We talk about how Steven Universe started at the ground level, and how the series has evolved over the seasons. Rebecca also shares the process of creating the ambitious Steven Universe: The Movie, including an in-depth look at her songwriting process and mapping out the songs in the movie. Rebecca also talks about working with composers Aivi & Surasshu on the series as well as on the movie. She talks about what she loved about their sound, and how their score to Steven Universe brings the world to life.

Other topics that we discuss include being open and vulnerable in storytelling, overcoming the pressure of putting yourself out there in the world, what themes and ideas she wanted Steven Universe to cover, working with her entire production team and how the team became a family, the overall animation process, and so much more.

Rebecca's skills as an artist, writer, director, producer, musician, singer and songwriter all make her one of the most talented storytellers working today. She wears many hats, but also loves the collaborative process of animation. We are thrilled to have Rebecca on this episode of All Access.

You can catch Steven Universe: Future on Cartoon Network, new episodes begin airing on March 6th, 2020.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Chad Cannon (Composer: American Factory)

Composer Chad Cannon has worked with composers such as Joe Hisaishi, Howard Shore, Alexandre Desplat and Tyler Bates. His love for storytelling comes from his love of human stories. As a composer, Chas has quickly established his unique voice as a storyteller, and all of that is evident in his score for the Oscar-winning American Factory.

American Factory won the Oscar for Best Documentary Feature at the 92nd Annual Academy Awards. The film is an important look at factories and the people working in them. The film is about a Chinese billionaire who opens a new factory in the husk of an abandoned General Motors plant. We see hope lead to how high-tech China clashes with working-class America. The film is also backed by Michelle and Barack Obama's Higher Ground Productions.

In this interview we learn about Chad's unique path to becoming a composer, and how he ended up in Japan working with legendary composer Joe Hisaishi. We dig into American Factory and how Chad approached the score, including what it means to score non-fiction and help the story of real everyday people.

Chad is a true talent that brings a wonderful touch to his projects and it was an absolute honor to have him as a guest. You can stream American Factory on Netflix.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Nathan Johnson (Composer: Knives Out)

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Nathan Johnson's versatility as a composer and a storyteller can be seen across all his scores as well as all his projects he does outside of film composing. In this All Access we take a trip down memory lane as Nathan talks about growing up with his cousin, director Rian Jonson.

Both Nathan and Rian dabbled in music and filmmaking when they were younger, and that blossomed from being family members messing around to the two of them being creative partners. Nathan has scored every one of Rian's films except Star Wars: The Last Jedi (for obvious reasons).

In this All Access we dissect scores such as Brick, The Brothers Bloom, Looper and of course Knives Out. We also dive into Nathan's work as a director with some of his extremely amazing music videos and other visual art. Hear about Nathan's general approach and process to scoring plus tons of amazing stories such as when Rian Johnson invited him to the scoring sessions of The Last Jedi.

It's a joy to sit down and just talk and dissect creativity with a composer and visual artist such as Nathan, who has the rare perspective of coming at music with so much else in his creative repertoire.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

John Powell (Composer: How To Train Your Dragon 3)

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Earlier this year, we had a fantastic All Access with How To Train Your Dragon trilogy writer/director Dean DeBlois and John Powell. But for our 3rd All Access with John, we wanted to explore the last chapter in the HTTYD trilogy from John's point of view as well as take the opportunity to revisit some stories that we touched upon way back in our first All Access.

Part reboot and part new examination, John talks about his path to becoming a composer as we examine his career's beginnings. We tackle a variety of different topics as we always do as John opens up about his process and approach to writing music to picture. John reflects back on the How To Train Your Dragon trilogy, specifically how he found his own life reflected upon the films. We also talk a lot about ending the trilogy and how John carefully crafted the score.

Sitting down with John Powell is always a pleasure and joy, and it's terrific to have him back on a brand new All Access!

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

John Lunn (Composer: Downton Abbey)

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Composer John Lunn has built a career that spans across multiple genres in film and television. For over two decades, John has contributed music to make worlds come alive, carve out characters and inject the emotional core of the story into the narrative.

In this All Access, we caught up with John while he was in town to walk through his career and discuss his approach and philosophies with scoring. John shares his techniques for starting a brand new TV series, as well as how the music can evolve or not evolve across seasons. John also talks about his technique for coming up with a main title theme, and how he tends to write a few episodes worth of music first and let the music speak out to see what melody rises to the top.

We also dive into Downton Abbey, and what the approach was to return to that world with the feature film that takes place after the end of the series. John talks about how working with the same crew and talent made it feel like it was picking back up right where they left off.

John Lunn is one is not only one of the kindest people around, but also a magnificent storyteller. It's an honor to have him on All Access.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Michael Giacchino (Composer: Jojo Rabbit)

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Michael Giacchino's scores have brought to life some of our most beloved stories whether it's a videogame, TV series or film. He has worked across every genre, and has built found relationships with some of the best filmmakers in the industry. But It's his amazing talents as a storyteller that make people gravitate towards his music.

For this All Access we were able to squeeze some time with Michael during his press day for Jojo Rabbit. We dive right in and discuss the approach for Jojo Rabbit, and how director Taika Waititi sought him out to score the film.

Michael talks about his childhood and his path to becoming a composer, which wasn't the original plan at all. Michael's passion was filmmaking, and he went to film school to become a director but his side hobby in music ended up setting him on the path he's on now.

We talk about subjects such as working with directors who are friends, and what happens when there's a disagreement. We also cover topics like knowing the business side of the industry, where the first note comes from, how to tackle sequels, how to jump into an established franchise, why Michael prefers not to read the script, if Michael will ever return to games or TV, where he stands in the "Marvel is not cinema" debate, what he and Matt Reeves plan on doing with The Batman, and what has been the worst butchering of his last name so far!

Michael is one of the most established auteur composers working today, and it was a true pleasure to have him as a guest on All Access.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Hildur Guðnadóttir (Composer: Joker | Chernobyl)

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Emmy-winning composer Hildur Guðnadóttir has quickly become one of the most prominent composers in the industry. Her musical journey started when she was young, but it was later in her life, and after finding a musical collaborator in Jóhann Jóhannsson that she became more involved in film composing.

Hildur talks about her childhood and growing up in Iceland. And we talk about how she met Jóhann, and what the creative spark was between the two. She talks about the process of working with him, practically as a co-composer on every score of his and how they were always on the same wavelength.

Hildur discusses scores such as Mary Magdalane, Sicario: Day Of The Soldado, Ófærð (Trapped), her Emmy-winning score for Chernobyl and of course Joker.

Hear how Hildur actually went to a power plant to sample the metallic sounds of the structure itself to help build her score for Chernobyl. And hear how she collaborated with director Todd Phillips on Joker, who loved her work so much that he called her up and offered her the job. Hildur was onboard Joker early enough that she was able to write some of the score based solely off the script. Todd Phillips then played her score on the set to help build scenes, while Joaquin Phoenix actually had an earpiece that fed her music to him so he could shape his performance from the music right on the spot.

Hildur is one of the most talented and unique voices working in the industry today and it was a real pleasure having her on All Access to dive into her process.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Carl Thiel (Composer: Seis Manos)

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Composer Carl Thiel's bold sounds and storytelling skills have graced some of the most standout scores across film and TV. Carl's storytelling sensibilities got the attention of filmmaking auteur Robert Rodriguez, where the two's shared love of visuals and music made them click instantly.

Carl's additional work on Rodriguez's features quickly lead to a co-composing relationship where he scored projects like Planet Terror, Spy Kids 4-D, Machete Kills, Sin City: A Dame To Kill For, From Dusk Till Dawn: The Series and many more.

Carl's most recent score is to the new Netflix anime series Seis Manos, which hails from creators Brad Graeber and Álvaro Rodríguez. The ultra original concept sees Carl having to blend genres such as Chinese martial arts, anime, 1970's Blaxploitation, Mexican cinema and more.

We dive into Seis Manos and explore how on Earth did Carl blend all those sounds into something cohesive to bring the series to life. We also look back at Carl's childhood growing up in Mexico, going to High School in Canada, and finally planting his roots in Austin, Texas. Carl also dives into many of his past scores and how he originally wanted to be a director or cinematographer, but his love for writing music won the battle.

Carl's amazing sensibilities and wonderfully bright personality shines directly into the music he writes, and it's a joy to have him on All Access.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Tim Wynn (Composer: Freaks)

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Tim Wynn is one of the most talented storytellers working today. He brings his amazing personality to all his music, and injects his projects with wonderful themes and a deep emotional current. It's such an honor to have him back on All Access for the second time.

For this discussion we revisit Tim's path to becoming a composer, including how he and Christopher Lennertz met in school and became best buds. The two of them opened up Sonic Fuel Studios together, where both of their studios reside.

We breakdown a handful of Tim's career highlights including The Simpsons Game, The Darkness II, Red Faction: Guerilla Mech X4 on DisneyXD and his newest score to the acclaimed feature Freaks. Hear Tim breakdown his process including his continued collaboration with director Zach Lipovsky, and how the music he wrote based solely on the script was played on set during the filming of the movie.

We tackle some other topics including finding your own sound when you're starting out, how to deal with rejection and criticism, and finding confidence in your abilities and your music.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Austin Wintory (Composer: Erica)

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Austin Wintory is back for another All Access! Austin sits down to talk a bit and revisit the story about his path to becoming a composer, and how important the mentors in his life have been. Austin also reflects on Journey and how a single project from 7 years ago is still very much part of his life and the way he connects with people all around the world.

We move on and discuss some projects that have come out since our last chat like The Banner Saga 3 and Austin's passion project A Light In The Void. The focus of this episode was also to dive into Erica, a new videogame that took years of work but is now finally available on the PS Store for everyone.

Erica utilizes live-action to take you on an interactive dark thrilling ride where each choice has a consequence and can alter the outcome of the game completely. Learn how Austin scored a game that plays out linearly, but where each player might have their own unique story path. Austin also takes us through the construction of his main theme for Erica, he plays it out for us on the piano before dissecting each part on his workstation for us to examine.

We tackle a multitude of other topics as usual from personal stories to views on the industry in another great sit down with one of the busiest and most creative composers working today.

A Film.Music.Media Interview | Produced & Presented by Kaya Savas